"The Power of Line"
Watercolor 18 x 24 inches
Thinking of Sinatra's song by the same title (and Michael Buble') "I've Got You Under My Skin
" . . . .this subject has finally reached the point of bothering me in my sleep. The subject is under my skin.
Drawing figures who are at work is no easy task. Composing them inside a rectangle so there is energy and content spilling out of that rectangle is the part that is nagging at my every constant thought. Mind you, I have plenty on my plate, being the prez of NWS and also working part time in high tech AND teaching. It seems I am doing a bit of each of these things daily . . . . (spinning plates!) . . . . .and these linemen and composing something of them is bugging me!
It has reached the point where if I have a pencil or pen in hand (or nearby) I'll be doodling them on anything! The business papers have them. Phone lists have them. Recipes have them. The phone book has them. Meeting agendas have them . . . .everything except my checks . . .and maybe these guys will appear there soon.
As you might see, I reversed a drawing of a painting done back in December, added the element of the near vertical pole in the background in order to involve the other edges of the rectangle. Between the poles and cross arm lives an interesting negative space into which my 'boys' are placed. Their location of being scrunched into a corner with lots of space behind and above them provides the feeling of height. As you can see, this piece is rather loose, which I like . . . . but that is because I am still experimenting with different ways to say what needs to be said (what ever that is right now) and am painting on the backs of old unsuccessful paintings.
Why do that, you ask? I will, no doubt, gobble up 20 to 30 sheets of paper before I will begin to settle into a rhythm of confidence with the subject. It is coming along, but I have more work to do. There will come a point where I will be certain of what I want to say and how to say it . . . . what surface, what brushes, what textures, what edges and angles, what shapes and what color strategies. For now, while they are bothering my consciousness, I am taking heed that there is something more to do and to say. So . . . I am trying and waiting for those big sudden breakthroughs to appear.
The trick is to keep at it and don't give up and take advantage of the fact that they snoop around in my dreams.
Labels: Composition, Corrections, Line, Series work, trial sketch