"Line Splice"
watercolor trial 22 x 30 inches
The first idea was to set a mood of an approaching storm and a shadow of danger. That meant I had to use color in a way that was moody and foreboding to a degree: few, if any, pure dazzling colors. I chose to paint in a strategy of Shades, Tones and Tints. In this approach, tones dominate the image while I used shades for shadow areas and the darks. The Tints were reserved for the lineman's shirt . . . .the edges of it which were in the light.
As well, the use of LINE as an element in the painting was another item I had to fool with to get the feel of which technique to use to express the cables and phone lines in the piece. As it turns out, all but one are freehand. I tried taping the lines off . . . .it was too ridgid. I tried painting with a soft brush and it became too fussy. Then I happened upon a very stiff bristle brush, flat, used on edge . . . .that did the trick.
The gray sky area (the negative space) is much too sloppy for what I needed to accomplish, but now I know I must mix a large amount of wash to attain the uniform feel I am after. I will use a tub of premixed wash on my next attempt and use that as a mother color to establish color variation in the negative space.
The line work in the piece definitely gives a feeling of empty space which emphasizes the shadow of danger. The tree trunk and utility pole on the right of the piece hold the eye inward and make for a strong tie to the left margin via the wires and cables.
I like this one. When I return from my workshop, I will explore making a serious painting of it.
1 comment:
I think a serious painting would be good. Already with this, you have created [for me, anyway] a feeling of edginess, with the linesman working at a somewhat dangerous job, and a dark storm moving in.
Post a Comment