Before Modification . . .
watercolor 21 x 21 inches
Years ago, as I was learning to paint and making a few hundred attempts per year, I found only a few of those to be “good” paintings.
Now, as I believe that I know a little more about the structure of a painting, I am very reluctant to accept that a painting is finished too early. Now, I seek a greater complexity than before. But it is waaaaaay more than just complexity. It has to do with balancing all the relationships.
Recently, I heard it said that a symphony is marshalling all the relationships of sounds so that the magnificence of the whole is greater than the sum of its parts. Wow! Is that ever true for the painter, too!
The act of creating balance and unity among the relationships is the crux of painting fine work. There is intense mental strife in that effort for me. In other words, it is a continuous battle to adjust and modify until everything fits. And so many, many times in the progress of a piece I mutter “just give it up!”
I am finding, as I grow artistically, that it isn’t always one’s ability to paint as it is the willingness to risk failure over and over until a painting is finished. Every alternative must be tested, sometimes tried, to determine if the painter has gone too far or not far enough. At some point, making new marks threatens to spoil weeks of work. And it sometimes does.
When it does, should I quit and begin again? That is one possibility. Or, should I attempt removal of the mark, or modification of the rest of the painting?
I say never quit! Take the piece all the way to near ruin before giving in. Lifting paint out of a watercolor is not easy, but it is possible. Overwork? Of course! There is a patina which develops which can sometimes be most attractive and displays a bit of history of what the artist did to complete a piece if it is overworked.
This piece, “Bad Dawg,” is one such piece that suffered through several different endings before I finally stated, ‘that is enough.’ Overworked? Perhaps. Muddy? Some would say “yes.” Sophisticated? Maybe. In the end, taste prevails. Your taste? What does it say?
In the process of becoming more accomplished, learning to accept failure as a companion is absolutely necessary. The biggest part of that, I believe, is NEVER giving up.
Labels: Composition, Corrections, Design, methods, relationships, Repairing a painting