watercolor, 22 x 30 inches
Having just received a shipment of new paper (never tried this type before now) from England, I just HAD to take the most unfamiliar type and put it to the test . . . .or, shall I say, to many tests?
Waterford paper, made by St. Cuthberts Mill in the UK, is quite beautiful in its whiteness and its textures. The finish they make on cold press and rough are really lovely. But how well does it take a wash or glaze or . . .how does it work wet into wet . . .or if the paint is scrubbed in with a bristle brush? How well or easily does paint lift? And what of the edges? Can the image be manipulated after a base layer has been laid down? What becomes of the paper surface in vigorous lifting? And, what happens to the color when the sizings and chemistry of the paper's structure mix with various pigments?
The heavy package arrived from England late last week. I had never seen shipped paper packaged so well! It arrived without a single sheet being even slightly tweaked! I couldn't use it right away because I was working on the last painting posted . . .remember? The one that was taking all the time with so many glazes. Maybe the distraction of wanting to paint on that wonderful new paper was enough to cause the slaughter of that painting. I know I *wanted* badly to get to it and try it.
So, here is the very first piece . . . .Waterford 200lb cold press. That's right: two hundred pound! Yummy paper. I took every risk I knew of to challenge the surface and try to find the achilles heel of the paper. I washed, glazed, scrubbed, lifted, scraped, pushed, tarnished and did everything I could to see what would happen. And, WOW!! It responds so beautifully and continues to show off the glorious character of the paper itself. The transparency of the colors works better on this paper than any I have tried to date. The white water with a slight cool wash just glows in this piece. (P.S. The lower right corner is orange in the photo because of a lighting goof.)
In all, I am extremely pleased with how well this paper responds! Now to find a source for it here in the USA.
Labels: beach painting, Color Harmony, methods, paper, seascape, solutions, Studio Painting, Water scene, Watercolor