Why Fascinated?

"Nearing Sunset"
oil on linen on panel, 10"x 8"

Sometimes there are subjects that defy logic or conventional formulas . . . .like rocks and broken faces of cliffs . . .and evidence of layered strata in cliff faces with all the random planes. I suppose that is why this subject held my interest in watercolor for so many years. And, I guess, it is the reason I keep going back and back and back and coming away less than satisfied.
In short, it is a tuff subject to paint. The painters who do the Grand Canyon amaze me. Those who do Sadona and Zion, etc make me stare in wonder: How do they do thaaaaat?
All this work in the past few days has been in answer to that constant fascination. Each day, it seems to get a little easier. Today, some things fell into place. Light and shadow is the part which complicates matters. Separating the two and keeping them separate is a big part of it. Another is working with color relatives inside those areas . . .or so I think. Cools and warms. Value and color transitions. Edges. Sheesh! This gets complicated! Oh, but there is more! I won't go into it now, but you get the idea.
And you are bored with looking at this subject? Okay. I'll take a break. But not for long.

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